From Concept to Reality: How GPS Turned the Cheeca Lodge Ballroom Into a Nightclub
For one night in Islamorada, GPS turned the Cheeca Lodge ballroom into a full-scale nightclub with a custom LED build, live lighting, and DJ Ray Costa on the decks.

On August 22nd, Global Production Source turned the ballroom at the Cheeca Lodge & Spa in Islamorada into a full-scale nightclub for one night only. The occasion was a wedding after party. The result was a custom LED build, a lighting show run live from the first track to the last, and world-renowned wedding DJ Ray Costa on the decks with Mike Sipe Entertainment.
This is the story of how that night went from an empty room to a concept render to a packed dance floor under lasers and confetti.
The brief: make it unforgettable
The best projects start with a client who is willing to go big. This couple came to us with an open mind and one clear wish: they wanted something no one had ever seen in that ballroom.
The Cheeca Lodge is one of the most beloved resorts in the Florida Keys. Its ballroom is elegant, bright, and built for receptions. Our job was to keep everything that makes the room beautiful and still flip it into a late-night club the moment the after party began.
Pre-production: testing the limits of the room
Every GPS build starts long before load-in. Our pre-production team studied the ballroom itself: the ceiling, the sightlines, where the dance floor would sit, and how far a build could go without fighting the space.
Then we asked the question we ask on every project: how far can we push this room?
The answer became a concept render. It showed the empty ballroom transforming into a stepped wall of LED towers framing a full LED DJ facade, with moving lights crowning the build and beams cutting across the ceiling. It gave the couple a clear picture of the night before a single case came off the truck, and it gave our crew a blueprint to build toward.
That is the point of pre-production. Clients see it first. Then we deliver it.

The build: a custom LED nightclub inside a ballroom
GPS handled production from start to finish. The centerpiece was a custom LED build designed specifically for this room:
- Stepped LED towers rising behind the booth in a skyline silhouette, with a central tower anchoring the whole wall.
- A full LED DJ facade wrapped across the front of the booth, carrying the couple's names in glowing script over moving content.
- Moving-head fixtures mounted on every level of the build, throwing beams, gobos, and patterns across the ceiling and walls.
- Lasers, LED washes, and strobes layered in for the peak moments, with front wash fixtures lining the stage edge.
- Room-wide color that drenched the ballroom in deep red and tied the walls, ceiling, and build into one look.
The content ran across every LED surface as one canvas, from molten red textures to geometric tunnels to a fully custom themed look. The build didn't just sit behind the DJ. It was the room.

Show night: Ray Costa on the decks, Thomas Thorogood on lights
A build like this only comes alive with the right people running it.
On the entertainment side, GPS teamed up with our sister company, Mike Sipe Entertainment. World-renowned wedding DJ Ray Costa took over the decks and read the room all night. The dance floor filled fast and never let up.
On the production side, GPS Director Thomas Thorogood ran lights for the entire show, live. Every beam, laser hit, and color change was called in the moment and matched to the music. When the drops landed, the room landed with them.
Then came the peaks. Blue lasers fanned out over a sea of raised hands. Confetti poured over the dance floor. The LED walls even ran a full Hooters-themed look to match the outfits the couple's crew showed up in. For a few hours, a ballroom in Islamorada felt like Miami at 2 a.m.

From render to reality
Put the concept render next to the photos from August 22nd and the throughline is obvious. The stepped skyline silhouette, the central tower, the full LED DJ facade, and the fixtures crowning every level all carried straight through from the render to the room.
What evolved was the look. The render imagined an icy blue palette. On the night, the build went molten red, with custom content running across every surface. That is how pre-production should work: lock the structure early, then keep refining the creative until the doors open.
What this means for your event
Whether you're planning a wedding, a corporate party, a brand activation, or a city concert series, the approach is the same. Here's what working with GPS looks like:
- We start with the room. Every venue has limits. Our pre-production team finds them, then designs right up to the edge.
- You see it before it's built. A concept render lets you sign off on the vision before load-in day, not during it.
- One team, production and entertainment. GPS handles staging, LED video, lighting, and sound. Mike Sipe Entertainment brings the DJs, bands, MCs, and specialty acts. You get one coordinated crew instead of a group of vendors working around each other.
- Our people run the show. The same team that designs the build operates it live, all night.

The Cheeca Lodge proved what's possible in a ballroom. Imagine what we can do with yours.
Ready to push your room further? Call (954) 782-4322 or request a quote to start planning.
Event at a glance
- Event: Wedding after party
- Date: August 22, 2026
- Venue: Cheeca Lodge & Spa ballroom, Islamorada, FL
- Production: Global Production Source: pre-production design, custom LED build, lighting, full show operation
- Entertainment: Mike Sipe Entertainment
- DJ: Ray Costa
- Lighting operator: Thomas Thorogood, Director of GPS
